Hurvin Anderson: Backdrop @ the AGO

by holditnow

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Flat Top 2008

I was unfamiliar with the work of Hurvin Anderson before I made my way up to the 5th floor of the AGO’s contemporary section. I was immediately struck by the similarities to a painter I greatly admire: Peter Doig. It then came as no surprise that Anderson was actually a student of Doig’s back in his native country of England during the 90’s.

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Exhibition View

Backdrop which was first shown at the Contemporary Art Museum St. Louis consists of a collection of drawings, sculptures and photographs but it was the paintings I was most excited about. Anderson’s approach combines loose flourishes with flat passages that evoke both energy and control. His subject matter ranges from the Jamaican/Trinidad countryside to residential attic barbershops to the filtering of experience through barriers, fences and pattern.

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Peter’s Sitter’s II 2009

Anderson’s paintings allude to the vulnerability of the sitter in a barber chair. There is an unspoken conception of trust and renewal. His barbershop patrons floating on flat backgrounds reminded me of another British painter: Francis Bacon.

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Untitled (Welcome Series) 2004

Painting is alive and well at the Art Gallery of Ontario and Hurvin Anderson makes the case loud and clear.

May 19 – August 21

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