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Tag: MOCCA

Gallery Hopping

Dean Baldwin Q.W.Y.C.

Dean Baldwin Q.W.Y.C.

There is something extremely satisfying about encountering the familiar in an unexpected context. This is the feeling you get when you walk through the doors at MOCCA and are greeted with Dean Baldwin’s marooned boat struggling like a fish out of water. By supplanting the yaht’s functionality Baldwin robs it of it’s elegance but embues it with its presence. We are reminded of its size and potential, especially that of its sail, who cleaves the gallery space like a knife. This is the final show at MOCCA’s Queen west location before it moves to its new building in the Junction which will open its doors sometime in 2017.

Zachari Logan Bluing 2014

Zachari Logan Bluing 2014

The next stop on my sunny afternoon gallery hop was to Paul Petro where I caught one of the final days for Zachari Logan’s Ditches, Dandies and Lions. The show consists of a variety of drawings that range from the intimate to the expansive all executed with exquisite precision and delicate handling. Good drawing can sometimes be hard to come by but Logan delivers, especially with his blue pencil portraits of weeds on Mylar.

Brad Kahlhamer The Thin Dead Figure 1997

Brad Kahlhamer The Thin Dead Figure 1997

Brad Kahlhamer channels his inner Basquait as part of I ♥ PAINT II over at the Angell Gallery. Kim Dorland has put together a small survey of contemporary painting that reflects his love of the medium. People have been proclaiming painting’s dead for the past 50 years but with shows like this that brings artists from all over the globe together, it’s obvious the world isn’t listening.

Janna Watson Violence of a Cloud

Janna Watson Violence of a Cloud

My last stop of the day was at BAU-XI where I encountered this lovely Janna Watson. She is one of those gifted painters who exhibits the right combination of flourish and restraint.

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Misled by Nature: Contemporary Art and the Baroque at the MOCCA

a2There is a well known design maxim that ‘less is more’. Apparently the artists in MOCCA‘s excellent Misled by Nature: Contemporary Art and the Baroque were away that day and didn’t get the memo because for them ‘more is more‘. Taken from The National Gallery of Canada‘s contemporary collection holdings; the work in this show doesn’t skimp on the extra sprinkles. Glass, mirror, fabric, crystals, gemstones, fur, chains, bindis, glitter, flowers and so on are just some of the materials that come together in unexpected ways. In recent decades, artists have been adopting this everything and the kitchen sink-yard sale approach to assemblage. The results can either be thrilling or disastrous. In the worse case scenarios; it’s like watching a poor hair-metal band perform with multiple explosions and fireworks in the background, all the pyrotechnics are  meant to distract us from the fact that they can’t actually play their instruments. Misled by Nature: Contemporary Art and the Baroque brings together a group of  eclectic art makers under the guise of the Neo-Baroque  and lucky for us these artists know how to play their materials.

Tricia Middleton Embracing Ruin and Oblivion is the Only Way to Live Now 2012

Tricia Middleton Embracing Ruin and Oblivion is the Only Way to Live Now 2012

Decay and the effects of time are two of the underlying themes of the show. How can we reinterpret the past in modern terms and how can modern materials help with this task? Tricia Middleton explores these facets to great effect with her take on nature as ultimate appropriator. Her working method allows her to recycle past works into new ones. I would compare it to an avalanche sweeping a mountain carrying everything with it in its wake. The end result felt like part of a shanty town built by the Snow Miser.

Lee Bul After Bruno Taut (Negative Capability) 2008

Lee Bul After Bruno Taut (Negative Capability) 2008

Lee Bul has fashioned  a glass city suspended in the sky-cum-chandelier. It glitters and sparkles under the hot lights, slowly strangling itself with its own opulence.

Lee Buls After Bruno Taut (Negative Capability) detail

Lee Bul After Bruno Taut (Negative Capability) detail

Yinka Shonibare recreates Thomas Gainsborough‘s  Mr. and Mrs. Andrews  this time without their heads and dressed in West African Batik. The effect is both embracing and disarming. Like all the artists in the show; Shonibare’s work   firmly places the viewer in an alternative universe where the unfamiliar becomes nostalgic.

Yinka Shonibare Mr. and Mrs. Andrews without their Heads 1998

Yinka Shonibare Mr. and Mrs. Andrews without their Heads 1998

The centerpiece of the show would definitely be David Altmejd’s The Holes. A Gargantua is slowly being reclaimed by the environment that it lies in. Altmejd incorporates all manner of tactile elements into a unique viewing experience.

David Altmejd The Holes detail 2008

David Altmejd The Holes detail 2008

The major criticism of this exhibition by most art critics would be its framing within the Neo-Baroque movement. For them the “excessive and decorative” use of materials doesn’t constitute a definitively Baroque sensibility, but for me: Baroque by any other name……

Misled by Nature: Contemporary Art and the Baroque

Feb 08, 2014 – Apr 06, 2014