Roy Lichtenstein Retrospective
by holditnow
This was the second Roy Lichtenstein Retrospective I have had the pleasure of seeing and just like the first; it did not disappoint. The first retrospective I saw was in Montreal in 1994 organized by the Guggenheim. Nearly 18 years later, the paintings hadn’t lost any of their punch. The beauty of seeing these paintings in person is their scale and presence. Tiny comics blown up to enormous proportions give the subject matter a sense of urgency and importance. The recently closed show at The Art Institute of Chicago contained nearly 170 works from the late great pop artist. Best know for his iconic comic strip inspired canvases, the retrospective illustrated that the artist was far from a one trick pony.
Lichtenstein was a master of appropriation. He mined sources from the pop culture of his day to the masters of the western art canon and beyond. He had an impeccable eye for subject matter. He spotlighted the art contained in the simple narrative of comic strips by isolating single panels eliminating the context and highlighting the raw emotions. He transformed simple objects into iconic portraits.
His style evolved from the comics but soon eclipsed it. He integrated many printing techniques including benday dots, parallel lines and flat bold colours. Although his style appears to be totally graphic in nature; the influence of the Abstract Expressionists is very evident in a lot of his work. The brushstroke series is a direct comment on how they applied paint, where a piece like Composition II is a nod to the all-over style.
Lichtenstein tackles luminaries such as Monet and Picasso. The Pop filter he applies only helps to accentuate the greatness of the originals. The retrospective does a wonderful job of organizing the many series he explored during his career. Along with the art history paintings; he explored interiors, mirrors, comics, moldings, still-lifes, landscapes and even (a slight misstep in my opinion) nudes. He mostly succeeds in all areas.
Near the end of his career he incorporated the direct brushwork of the abstract painters he so admired. It was nice to see the direct evidence of the artist’s hand that had been camouflaged by the mechanical reproduction techniques he so often employed. The end result of the juxtaposition of the two diametrically opposed styles together on the same canvas is fantastic. I didn’t get to see these paintings the first time around because they hadn’t been created yet. A few notable paintings that were missing this time from the first time around would be Girl with Ball (one of my favourites) and Grrrrrr.
The Roy Lichtenstein Retrospective is now on its way to The National Art Gallery in Washington, then on to the Tate in London and the Pompidou in Paris.
Saw it at The Art Institute last month. Thought it was great!
I agree, it was a great show.
Thanks for the comment.
mmmmm loved seeing this piece in january in nyc: http://helenyung.com/tag/roy-lichtenstein
wish i could see this retrospective! may be time to go back to london…
Any excuse to go to London is a good one. That video piece is really unique.
I found your blog through Nuit Blanche. The Gladstone’s a great venue; we did the green roof last year. I hope you have a warmer night than we did.
Thanks for stopping by and have a great Nuit Blanche.
thanks
– that’s funny
i’m installing on the ( your ) green roof
but i guess you figured that out
– if you’re around for nb
please stop by + say hello
The images were already important… Long before Lichtenstein
enlarged them.
I agree, and that is why they have such a lasting presence but the scale of an image or object can drastically change your experience with an object.
Thanks for the comment, you make a very valid point.
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hi! i’m so glad you found my site. I love Lichtenstein – it’s nice to read more about the work from you.
Thanks, the Litchenstein show was pretty great. I really liked the shots of the Walker. I’ll definitely have to put that on my list.
Nice selection of Lichtenstein’s works to accompany your post – thanks for visiting!
It was a great show. All the photos were taken by myself. With a few exceptions, The Art Institute of Chicago is very generous with photography.
Thanks for the kind words.
I usually loved viewing this particular webpage once per week or so because you actually do normally have got several good posts so congratulations from one of the enthusiasts.
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Thank you so much for the kind words.
Thank you for liking my post, I’m planning to see the one in Pompidou, can’t wait!
It’s a great show. Thanks for stopping by.